• WatDabney@fedia.io
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    16 days ago

    Yes.

    At this point, copyright doesn’t exist to benefit creators, but to benefit rent-seeking corporate parasites.

    That’s why I’m both for and against copyright - I’m for it as an ideal - as a tool to help ensure that creators can profit when others derive value from the fruits of their labors - but I’m very much against the current implementation of it, which exists solely to ensure that overpaid corporate fuckwads can profit off of the fruits of somebody else’s labor.

  • Tony Bark@pawb.social
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    16 days ago

    The thing about modern copyright is that works are supposedly protected regardless of the copyright symbol. But how does that work in practice? Because if everything is copyrighted, including something as simple as a doodle, then nothing is.

    • Godnroc@lemmy.world
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      4 days ago

      I believe the default assumption is that anything you created is yours, which seems reasonable to me. I don’t need to be DaVinci for my doodles to be mine, the quality or value of the work does not change that it is mine.

      Now, imagine someone took your doodles and started selling them in a book they called “1000 of the Worst Fucking Failures of Art.” That would probably be offensive to you, and on top of it they are profiting off of your work (regardless of how much you actually put in).

      Copyright gives you a tool to combat them legally to get your art removed or even damages if you were now known as “That person who tried and failed horribly to make art.” There is a saying along the lines of doing 1000 good deeds is good, but you fuck one goat and you’ll be known as a Goat Fucker.

      You could, of course, fail to defend your copyright which, in some places, is seen as acceptance of how it is being used. You could also release the copyright and allow the work to enter the public domain so that anyone can use it for any purpose, including their worst art book.